The perception of Africa through the lens has certainly changed since the films of the 1950s. That change in the way viewers see Africa in twenty-first century film is the topic of Framing Africa: Portrayals of a Continent in Contemporary Mainstream Cinema, published in June 2013. Below, the collection editor Nigel Eltringham discusses the changing frame of Africa in mainstream cinema.
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In November 2004, I attended the annual meeting of the African Studies Association in New Orleans. A flier inserted into the conference programme invited participants to a private screening of a new film, Hotel Rwanda, at a small arts cinema nearby.
Continue reading “A Moving Picture: The Evolution of Africa on Screen”





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Soon after the Israeli forces occupied Sinai in 1967 the peninsula was inundated with many kinds of tourists and journalists. I avidly listened to their glowing accounts of the Bedouin of Sinai. Yet for several years I hesitated to visit Sinai. I wavered between fear and hope that I would be tempted to study the Bedouin, and again experience the intellectual and emotional tumult of my earlier study of the Negev Bedouin.
Berghahn Books: What drew each of you to the study of the Spanish empire’s Atlantic holdings?