Souvenir of the Right: Reexamining Twentieth-Century French Politics

The French Right Between the Wars: Political and Intellectual Movements from Conservatism to Fascism, to be published this month, re-opens the history books on  France between World Wars I and II. In this collection of essays, scholars take a look at the polarized political scene, especially the right, within the country. Below, in an interview with editors Samuel Kalman and Sean Kennedy, the scholars speak to the challenges of compiling the collection as well as the potential controversy of writing on such a politically charged topic.

 

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Berghahn Books: What aspect of compiling an edited collection did you find most challenging?  Most rewarding?

 

Sean Kennedy: When we began this project I was anxious that coordinating thirteen different contributions – in terms of deadlines and ensuring consistency in format – would be a major challenge. I should not have worried so much. Our contributors did a fine job of sticking to the production schedule and carrying out editorial work.

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Author Becomes Subject: Droysen as Topic of Historical Volume

Scholarship has come full circle for Johann Gustav Droysen — a historian lauded for his much-cited volume on Alexander the Great — as the author-historian is now the subject of study. Author Arthur Alfaix Assis delves into the historical theories of Droysen in What is History For? Johann Gustav Droysen and the Functions of Historiography, to be published later this month. Assis precedes the publication by sharing the root of his interest in the scholar, why he believes Droysen is important, and what Assis might have done if he did not follow the path of academia.

 

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Berghahn Books: What drew you to the study of Johann Gustav Droysen?

 

Arthur Alfaix Assis: I like to think that part of it has to do with the great impression left on me by the very first text I read as an undergraduate: Max Weber’s ‘Science as a Vocation’. I was a freshman at a provincial university in central Brazil, and was very eager to get in touch with serious historical and philosophical literature. But after a single week of lectures came a three-month-long strike, and the only reading assignment left was Weber’s text.

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‘Screening Nature’ Turns the Cinematic Gaze to Mother Earth

Flora, fauna and film are the foci of Screening Nature: Cinema Beyond the Human, published in November 2013. The collection, edited by Anat Pick and Guinevere Narraway, hopes to open the film-viewers’ gaze to the often-overlooked nonhuman living subjects in film. The following is an interview with Pick and Narraway on the mission of Screening Nature, and on the environmental and ecocritical challenges to the discipline of Film Studies.

 

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Berghahn Books: What is the idea behind the collection and how did it come about?

 

Anat Pick and Guinevere Narraway: Screening Nature is one installment in a bigger project to push Film Studies to engage more closely with the natural world and with issues of ecology. It is fair to say that there is currently an “ecological turn” in Film Studies, and the book is part of what we hope will be a significant paradigm shift in the way we think and talk about film. But despite the growing interest in the ecological dimensions of cinema, both in terms of cinema’s representation of nonhuman nature and animals, and in terms of cinema’s ecological impact as a consumer and emitter of fossil fuels, Film Studies departments remain staunchly humanist and anthropocentric, with most courses theorizing and making films with little regard—in the literal sense of the word—to more-than-human concerns.

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Policy-Tracing Up, Down, Sideways

In an excerpt from the Introduction of A Policy Travelogue: Tracing Welfare Reform in Aotearoa/New Zealand and Canada, published in September, Catherine Kingfisher explains just how she came to be interested in the subject of welfare policy, and its existence as a living, working idea.

 

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My interest in tracing policy began in the summer of 2000, when I was writing grant applications to work with welfare mothers in southern Alberta, where I had recently moved from Aotearoa/New Zealand. I discovered that in the early 1990s the Alberta provincial government of premier Ralph Klein, in the process of reforming its governing structures and welfare systems, had been heavily influenced by Roger Douglas, the former Finance Minister of New Zealand.

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Forest Protection Fail: How ‘Things Fall Apart’

Pauline von Hellermann seeks the root causes of African deforestation in Things Fall Apart? The Political Ecology of Forest Governance in Southern Nigeria, published in September. The volume stems from Hellermann’s ethnographic and historic research within the tropical forest of Nigeria’s Edo State as she digs to uncover the failings of forest protection. The following is an excerpt from the Introduction.

 

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To international foresters and conservationists, there are clear links between recent management failure and deforestation in Nigeria. The Conservation Atlas of Tropical Forests, for example, states that Nigeria’s ‘natural forests were carefully managed in the early part of the century, [but] they have since been severely over-exploited’ (Lowe, et al. 1992: 230; see also Oates 1999). Nigerians themselves routinely blame corruption and greed amongst foresters and politicians for forest loss and the depletion of timber. Such accounts fit smoothly into the broader perception of Nigerian governments as corrupt and inefficient; into the constant refrain that ‘things fall apart’ in Nigeria.

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The Life of Policy in Canada and New Zealand

Policies have their own lives, and these lives are not “a-cultural, rational, and straightforwardly technical,” puts forth Catherine Kingfisher in her volume, A Policy Travelogue: Tracing Welfare Reform in Aotearoa/New Zealand and Canada, published in September. Following is an excerpt from the monograph’s Introduction in which the author sets the scene for her discussion of how policy lives within welfare reform in two distinct countries.

 

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I use the frames of translation and assemblage to gain insight into a range of policy-related phenomena in particular spaces and contexts of occurrence. First, I explore the transformation of objects as they are translated from one philosophical and political framework—Keynesianism—into another—neoliberalism. Brodie (2002:100) points out in this regard that the privatization characteristic of neoliberalism: “[i]nvolves much more than simply removing things from one sector and placing them in another….the thing moved is itself transformed into something quite different. Objects become differently understood and regulated.”

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The Very Human Experiences of the Other

If the search for self was a game, migrants would be more than a few chips down. Having to overcome physical and cultural displacement in addition to psychological uncertainty makes the search, for those who are transient, a complicated quest. Below, in an excerpt from the Introduction of Being Human, Being Migrant: Senses of Self and Well-Being, published in October, editor Anne Sigfrid Grønseth addresses the difficulties of migration and asserts that these hardships are of larger breadth than simply issues of movement.

 

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This volume is as much about being human as it is about being a migrant. It takes as its starting point from the proposition that migrant experiences tell us about the human condition, on the basis that senses of well-being, self, other and humanity are challenged when people move between shifting social and cultural contexts. Our contemporary world is characterised by an increasing degree of movement that highlights how societies and cultural units are never separate but overlapping, rapid changing and engaged in repeated processes of fission and fusion.

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Star-Studded Regime: A Look at Film Celebrity in Fascist Italy

Celebrities today can perform political functions by sponsoring causes, supporting or opposing governments and shaping opinion. In Fascist Italy, celebrities also played an important role and the regime was well aware of the possible uses and dangers of their popularity. This important connection has been overlooked by scholars of both film and of Italian political history. Focusing on a period from the 1920s through 1945, Mussolini’s Dream Factory: Film Stardom in Fascist Italy looks at the star power of these often-overlooked celebrities and the fate of their careers after WWII. Author Stephen Gundle expands on these ideas and shares his thoughts on the subject, below.

 

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Berghahn Books: What drew you to the study of film and film stardom in Fascist Italy?

 

Stephen Gundle: There are lots of books written about fascist Italy and it seems to be a topic that endlessly fascinates.  In the last few years books have appeared on topics such as the police force, diplomacy, road-building, women’s fashions and everyday life. Yet there are few books on fascist cinema – which is largely ignored by historians and neglected by film scholars who tend to concentrate on neorealism or other aspects of postwar cinema.

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The Myriad Measures of Achievement

Achievement is commonly defined as a successful completion of a given undertaking, but what it means to “achieve” is not a static idea the world over. Contributors to The Social Life of Achievement, published last month, examine meanings of achievement in countries and cultures throughout the world. Below, co-editor Nicholas J. Long addresses the term and provides insight into the background of the volume, from its inception to its subjects to its methodology.

 

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Berghahn Books: What drew you to the study of achievement? And what inspired you to research and write about it?

 

Nicholas J. Long: Fieldwork! In the Riau Islands – the region of Indonesia where I’ve conducted most my research – people talk and think about achievement all the time. It’s become an integral component of the citizenship syllabus: students are taught that a good Indonesian should try to seize any opportunities for ‘achievement’ that they can. And it’s an incredibly widespread trope in public culture. I quickly realised that I wasn’t going to be able to write a good ethnography of the region without engaging in some way with this achievement discourse and how it was shaping people’s lives.

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A Reflection on ‘Japanese Tourism’

Carolin Funck and Malcolm Cooper’s Japanese Tourism: Spaces, Places and Structures, published this month, explains the nuances of Japanese tourism, both by the Japanese and within Japan by tourists from around the world. Below, the editors recall what drew them to this fascinating field of study, how the field has changed since they started writing, and how they predict it will continue to change in the future.

 

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Berghahn Books: When were you drawn to the study of Japanese tourism? What inspired your love of your subject?

 

Malcolm Cooper: The lack of a readily available text that brought together the several elements of Japanese tourism and chronicled its form and function over the years when I first started to teach this subject more than 10 years ago.

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