by Martha Hoffman, Journals Editorial and Production Manager

 

Maybe it’s my age, but sometimes I feel like two different people inhabit my mind: there’s the person that was obsessed with sociology in college, reading Critical Race Theory for fun and over-scheduling classes I didn’t need because I was genuinely excited at the thought of learning and figuring out what I was most passionate about. This is the half of me that feels most at home at Berghahn, the intellectually curious and studious parts of me thriving as I help in the production of academic and scholarly journals.

But there’s also the other part of me: the girl that loves reality television, blockbuster movies and popular music. I can spend hours looking for fun dance songs, watching network comedies and am willing to pay NYC movie theatre ticket prices to see a rom-com if a friend is willing to do the same.

The other day, I was working on creating an ad for a new issue of Girlhood Studies. I was looking at the last issue, and an article title caught my eye: “Some Assembly Required: Black Barbie and the Fabrication of Nicki Minaj.” The topic of Minaj has come up in my life from time to time, though it’s usually on the internet, radio or tv, and if anyone’s discussing her it’s usually not her merits or her culture significance but rather her butt, face or the fact that she can’t rap. It’s not that I think Minaj can’t rap, I’ve just noticed that the most vocal commentors of the artist are those insisting she’s not an artist to begin with. With any type of fame, knee-jerk vitriol seems to follow. Admittedly, my comments about her have often fallen into similarly shallow categories, albeit positive: I think she’s beautiful, funny and a decent rapper. However, other than those cursory observations, I don’t think I’ve ever stood back and thought about her in a larger context, whether it be from a gender-, race- or cultural standpoint.

Continue reading “Is There Such Thing as “Low-Brow?” Taking Pop Culture Seriously” →