Tag: Editor article

The Anthropology of AIDS in Tanzania: An Discussion with Hansjörg Dilger

Hansjörg Dilger is the editor, along with Ute Luig, of Morality, Hope and Grief: Anthropologies of AIDS in Africa, which was published by Berghahn Books in paperback in December 2012. 

 

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What drew you to the study of AIDS in Africa?

 

HD: I started my research on AIDS in Tanzania as a master student. AIDS hadn’t been at the center of “mainstream anthropology” in the mid-1990s, at least not in Western Europe, and I wanted to do “something useful” for my thesis project. Initially, my fieldwork on HIV/AIDS focused on the moral discourses of young men and women on sexuality, modernity, and social transformation in the context of the epidemic in western Tanzania. Later on, this led me to the study of social and kinship relations and how they transform in the context of illness, death, and rural-urban mobility.

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Edward Berenson and Eva Giloi on 19th Century Celebrity

In the collection Constructing Charisma, editors Edward Berenson and Eva Giloi have brought together a series of essays exploring the growth of the idea of celebrity in 19th century Europe. In this lengthy interview, the editors discuss the roots of their ideas, and how the study of the 19th century is still significant for understanding celebrity today. 

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What drew you to the study of celebrity, especially in 19th Century Europe?

 

1. Both of us had been working on certain celebrated individuals in 19th century Europe. In Ed’s case, it was colonial figures like Henry Morton Stanley; in Eva’s it was the German Kaiser. We each saw that our historical subjects owed a large part of their renown to forms of media new to the 19th century, especially photography and the mass press. The Kaiser would, of course, have been well known in any case, but Eva showed that photography helped make him not just a household name, but a household object, as individuals collected pictures of him. As for Stanley and other “colonial heroes,” they became celebrities because the mass press obsessively promoted them and their exploits. Through our individual works, we both perceived that that celebrity became a hugely important social and cultural phenomenon in the 19th century; to investigate it further, we decided to bring together colleagues from a variety of disciplines with expertise in the key European countries.

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A Conversation on Nature and Culture’s Latest Special Issue

The latest issue of Nature and Culture is a Special Symposium on “Nature, Science, and Politics, or: Policy Assessment to Promote Sustainable Development?” This post is a conversation between the issue’s Guest Editors, Sabine Weiland, Vivien Weiss, and John Turnpenny, on why this topic was selected.

The issue is currently available via Ingenta on the Nature and Culture website, here. Continue reading “A Conversation on Nature and Culture’s Latest Special Issue” →

A Conversation with the Editors of “Civilizing Nature” on the National Park

Patrick Kupper, Bernhard Gissibl, and Sabine Höhler are the editors of Civilizing Nature, published in November 2012 by Berghahn Books.  Civilizing Nature examines the phenomenon of the national park from a historical and transnational perspective.  

 

Why did you choose a global history approach to studying national parks?

 

Patrick:

National parks have arguably been the most important tool of nature conservation worldwide. Since the first patches of nature were segregated under that label in the late 19th century, parks have become a global phenomenon – there are thousands of them all over the world, and they occupy an astonishing amount of terrestrial and, more recently, also maritime space. We found a paradoxical relationship between the national and the global in nature conservation, and the connections behind parks a striking and illustrative instance of what we have become accustomed to call globalization. Delving into this genuinely global history says a lot about the making and the nature of global environmentalism.

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In Their Own Words: Matt Tomlinson and Debra McDougall on Christian Politics in Oceania

Matt Tomlinson and Debra McDougall are the editors of Christian Politics in Oceania, published in November 2012 by Berghahn Books.

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As anthropologists who have worked in the Pacific Islands since the 1990s, we both felt that most political analyses of the region have been flawed for one simple reason: they overlook the enormous but complex political influence of Christian churches. This influence does not always take the form that observers of American politics might expect, where particular churches take explicit stances on political issues or support particular candidates or parties. The political influence of churches in Oceania is both more subtle and more pervasive than that. Time and again during our fieldwork in Fiji and Solomon Islands, we saw how the words of preachers and pastors, activities of Christian organisations, and interpretations of the Bible shaped how people understood their place in political communities. In Oceania, like everywhere else, there is no single Christianity, making it frustratingly difficult to generalize about ‘Christian politics’. Although anthropologists have increasingly turned attention to Christianity, little attention has yet been given to the ways that rival churches position themselves against each other. Our ethnographic research  led us to see denominationalism as key source of social friction and creative energy, essential to any understanding of politics in the region.

 

            For these reasons, we began talking with our colleagues about working on a project to understand Christian politics in the Pacific. The result is this book, from which we would like to quote the following edited passage from the introduction:

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The History of Sibirica from Associate Editor Alexander D. King

Alexander D. King served as Managing Editor of Sibirica for six years, and recently stepped into the role of Associate Editor in order to focus on his field research, which is being conducted in Kamchatka over the next ten months. In this post, he discusses the 30-year history of the journal as it moved from home to home and finally landed here at Berghahn, where it has been since 2006.

Sibirica is now finishing up its eleventh volume but it has existed for much longer than just 11 years. The journal started as an occasional publication of the papers from the British Universities Siberian Studies Seminar (BUSSS), which was a regular meeting of mostly historians and geographers starting in the 1980s. The very first issue is an unnumbered publication titled simply Sibirica, with the 1690 Siberian coat of arms and the subtitle British Universities Siberian Studies Seminar, Report of the second meeting held at the Scott Polar Research Institute, University of Cambridge, 15-16 April 1983. These earliest Sibiricas, published through 1989, were edited and produced by Alan Wood at Lancaster University. The production was a modest affair, appearing as a typescript on A5 format, photocopied with a staple binding in the spine.
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Jonathan Magonet of European Judaism on the Past and Future of the Journal

For over 40 years, European Judaism has provided a voice for the postwar Jewish world in Europe. It has reflected the different realities of each country and helped to rebuild Jewish consciousness after the Holocaust. Jonathan Magonet took over as Editor in 2004. In this post, he details the foundation and evolution of the journal over its extensive history, as well as his visions for the future.

Given its title, European Judaism has to be as broad-based as its subject area. Every European country is different in history, language, culture and concerns, and the local Jewish community reflects all of these as well as its own particular experience and agenda. Yet across the European continent, there are also broader issues that have an impact on Jews, or to which Jews make significant contributions. How to reflect this complexity yet offer a (relatively) coherent voice has been the challenge faced by the editors over the journal’s now more than forty year history.

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AJEC @ 21: Editor Ullrich Kockel Reflects on 21 Years of Scholarship

In the latest issue of the Anthropological Journal of European Cultures, Ullrich Kockel opens the discussion on the 21 years of AJEC‘s history with his own reflections:

 

“As I settle down to put together this issue, it occurs to me that the development of AJEC in its various phases displays an uncanny correspondence with my personal professional trajectory so far. Its inception and first volume happened during my postdoctoral fellowship when I was happy to place one of my first (coauthored) academic articles in its inaugural issue. The remainder of AJEC’s first approximate decade coincides with my time as a lecturer. At the time I took up my first chair, the format of AJEC changed, eventually turning it, for a while, into a Yearbook rather than a journal. And in the year I moved to my second chair, I was invited to take on the editorship of AJEC, which would now be published by Berghahn and returning to the format of two issues per year. This correspondence raises a curious question: What significant turning point for the journal will correspond with my own as I am becoming an emeritus professor?”

 

To continue reading a free PDF of his editorial in its entirety, click here.

 

 

Comics and Contradictions with Laurence Grove, co-editor of European Comic Art

Note: Berghahn recently released the paperback edition of Laurence Grove’s Comics in French and also publishes the journal European Comic Art, which he co-edits. Here he discusses his current work on an exhibit of comics for the Hunterian Art Gallery in Glasgow.

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One of the inspiring things about co-editing European Comic Art, apart from the buzz of working with Ann Miller and Mark McKinney, is the connections it creates.  In recent times we have had the pleasure of receiving scholarship on comic art from England, France, Greece, Canada, Italy, Spain, Argentina and Germany, and from the eighteenth century to the twenty-first. It is not long before you are reminded that whatever your speciality, there are unexpected link-ins elsewhere and contradictions to the knowledge we might have taken for granted.

It may seem strange, therefore, that one of my current projects is to prepare an exhibition whose provisional title, Scotland and the Birth of Comics, could appear to bask in positivist certainties. The display, which will open in Glasgow’s Hunterian Art Gallery before touring, will bring to light a little-known work of primary importance, The Glasgow Looking Glass of 1825. The Looking Glass appears to be the world’s oldest comic, predating the earliest published ‘comics’ by Rodolphe Töpffer by eight years, Le Charivari by seven, and Punch by sixteen.  Building on the historic angle and taking the notion of graphic narrative in its widest sense, the exhibition will allow us to showcase Hunterian treasures from the Roman period to Hogarth and on to contemporary selections, as well as key manuscripts and printed works from Glasgow University Library’s Special Collections and certain related items from Glasgow’s museums.

“Consumption of Smoke: Present” and “Consumption of Smoke: Future” From Vol. 1, no. 8: Northern Looking Glass, 17th September 1825
With the permission of Special Collections, University of Glasgow Library. (Sp Coll Bh14-x.8)

At the initial research stage (I have the Glasgow Looking Glass in front of me as I write) I have been struck by the intertwining connections. The Looking Glass inspired Punch, but its characters—the street musicians, the clergymen, the medics, and so on—also offer firm reminders of the styles of Töpffer, Rowlandson, and Hogarth. It is thus inevitable that the exhibition will lure the visitor in with the promise of newly-found canonical certainties (comics started in a specific time and place, and that is Glasgow in 1825), only then to make it clear that the complexities are so that such certainties must be flawed.

“Domestic Intelligence: Home, Sweet Home”, From Vol. 1, No. 2: Glasgow Looking Glass, June 25th, 1825
With the permission of Special Collections, University of Glasgow Library (Sp Coll Bh14-x.8)

This week I am going to Geneva to meet with the Director of the Bibliothèque de Genève, Alexandre Vanautgaerden, and his team, with a view to a possible loan of a Töpffer manuscript. Ironically, having made the notion that Töpffer did not invent the comic strip (nor did anyone else) a central theme of my Comics in French (Berghahn Books), I am strangely excited about getting to see the Swiss schoolteacher’s creations in the flesh. It is the fact that life is a hybrid art full of contradictions that makes it such fun. A bit like comics.

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Laurence Grove is is Reader in French and Director of the Stirling Maxwell Centre for the Study of Text/Image Cultures at the University of Glasgow.

 

To view more images from the collection, visit the Glasgow University Library Special Collections Department.


Interview with the editors of Existentialism and Contemporary Cinema: A Beauvoirian Perspective

What inspired the project?

Ursula Tidd: As far as I was concerned, I was keen to show the immense relevance of Beauvoir’s thought to film studies and hence, to take her work more deeply into the area of film studies. I have noticed that Beauvoir’s work is often implied in discussions in film studies about ‘the male gaze’ and on the topic of gender relations more broadly, but not always made explicit in what it contributes to the debates.

Jean-Pierre Boulé: A desire to use The Second Sex to show that Beauvoir still has a lot to say about human relationships.

 

How did you hope it might influence the field?

J-PB: For people to go back to or discover Beauvoir and realise that she has a place in film studies.

UT: I hope that this volume will inspire more people to look at film through Beauvoirean eyes, so to speak! And to engage more closely with her phenomenologically-based philosophy on gender and ageing.

 

Which aspect of co-editing did you find most difficult?

J-PB: Not difficult as such, but bearing in mind a student readership, making the volume accessible to them. And choosing the front cover photograph.

UT: Yes, it’s important to keep in mind the future readership of a volume like this – although one can’t please everyone…

 

Would the films discussed be the kind of films Simone de Beauvoir would be interested in?

UT: For sure! Beauvoir was highly eclectic in her cultural interests and an avid film-goer, at least for most of her life. She enjoyed art house as well as Hollywood cinema so I think that all the films discussed would have engaged her.

J-PB: Absolutely! I like to think she would have liked the various genres under study, as she herself wrote in a variety of genres. I think she would have loved Revolutionary Road, set in 1955, with its story of oppression and liberation.

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Jean-Pierre Boulé is Professor of Contemporary French Studies at Nottingham Trent University.

 

Ursula Tidd is Senior Lecturer in French Studies at the University of Manchester.

 

Existentialism and Contemporary Cinema: A Beauvoirian Perspective was published by Berghahn Books in September 2012.  A companion volume, Existentialism and Contemporary Cinema: A Sartrean Perspective, edited by Jean-Pierre Boulé and Enda McCaffrey, is also available from Berghahn Books.