Fifty years of French cinema get their close-up in Hugo Frey’s Nationalism and the Cinema in France: Political Mythologies and Film Events, 1945-1995, published in July. Following, the author offers readers a new angle on the volume, which is itself a fresh perspective on French film against a nationalistic backdrop.
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Why did you write this book? What were your original aims?
The motivations for undertaking this research are complicated and now date from some time ago. Having written a study of the director Louis Malle (2004), I wanted to continue to develop my knowledge of French cinema, while still connecting to my other interests in national historiography and the collective memory of the Vichy period. However, I did not want to work on a conventional book about either ‘great French films of recent times’ or indeed something that just rehashed familiar debates already presented in titles such as Henry Rousso’s The Vichy Syndrome.
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