View Table of Contents
Sign up for our email newsletters to get customized updates on new Berghahn publications.
Click here to select your preferences
Transactions with the World
Ecocriticism and the Environmental Sensibility of New Hollywood
Full Text PDF Made available under a CC BY-NC-ND 4.0 license with support from Knowledge Unlatched.
228 pages, 18 illus. bibliog., index
ISBN 978-1-78533-000-1 $135.00/£99.00 / Hb / Published (February 2016)
ISBN 978-1-80073-723-5 $34.95/£27.95 / Pb / Not Yet Published (October 2022)
Due to uncertainty surrounding post-Brexit trade agreements deliveries to the EU may take longer to arrive and be subject to local import charges, for which the customer is liable. We encourage you to consider an eBook alternative or to go to your local bookshop for the print copy. Read the current information here
“This valuable work engages fully with the field of cinema studies and demonstrates ways of building on traditional film theory from an ecocritical perspective. The author speaks the language of film aesthetics, provides sophisticated analyses that go beyond cursory readings of plot and narrative, and directly engages with film technology and its impact on textual meaning.” · Stephen A. Rust, University of Oregon
“This is a significant contribution to the burgeoning field of ecocinema. The analyses of individual films are all expertly positioned within the existing literature, and O’Brien makes a convincing case for rethinking New Hollywood, as a mode of production and a cultural moment, from an ecocritical perspective.” · Pietari Kääpä, University of Stirling
In their bold experimentation and bracing engagement with culture and politics, the “New Hollywood” films of the late 1960s and early 1970s are justly celebrated contributions to American cinematic history. Relatively unexplored, however, has been the profound environmental sensibility that characterized movies such as The Wild Bunch, Chinatown, and Nashville. This brisk and engaging study explores how many hallmarks of New Hollywood filmmaking, such as the increased reliance on location shooting and the rejection of American self-mythologizing, made the era such a vividly “grounded” cinematic moment. Synthesizing a range of narrative, aesthetic, and ecocritical theories, it offers a genuinely fresh perspective on one of the most studied periods in film history.
Adam O’Brien teaches film studies at the universities of Bristol and Reading. He has published articles on ecocriticism and film in a number of journals, including Film Criticism, Journal of Media Practice, and ISLE: Interdisciplinary Studies in Literature and Environment.
Subject: Film and Television StudiesEnvironmental Studies (General)
Area: North America
Transactions with the World by Adam O'Brien is available open access under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0) with support from Knowledge Unlatched.
Full Text PDF
OA ISBN: 978-1-78920-468-1
Back to Top