PDF issue available for purchase
Print issue available for purchase
ISSN: 0155-977X (print) • ISSN: 1558-5727 (online) • 4 issues per year
During the current global pandemic, a series of transitions have taken place at
A statue of stainless steel cast in China and placed at the entrance of the new National Stadium in Mozambique sparked controversy between Chinese donors and Mozambican recipients in the period leading up to the stadium's 2011 inauguration. Based on ethnographic fieldwork among the Mozambican and Chinese nationals involved in the project, we explore the multiple misunderstandings surrounding the statue and show how they came to define Sino-Mozambican relations. Entextualized through materiality, the misunderstandings assumed a monumental form in the statue, and the message of mutual incomprehension continued to reverberate across the social terrain of Sino-Mozambican relations long after the statue itself had been removed. Misunderstandings, we argue, should not be dismissed as ephemeral communicative glitches, but seen as productive events that structure social relations.
More than 25 years after it was unveiled, Eduardo Chillida's
Unlike the concept of utopia, an explicit concern with dystopia is almost completely absent from anthropology. This article describes the technologies or uses of dystopia among a group of radical environmental activists in Germany. Dystopia means an undesired or frightening society or place, and, according to the activists, describes our current society and civilization—a consumerist lifestyle and overexploitation of nature that will inevitably lead to environmental collapse. This image is used politically to create estrangement and to make distance from undesired others and their practices. The article suggests that an analytical attention to the political technologies of dystopia might be of broad relevance for efforts to understand politics at our present historical conjuncture where utopias seem to have disappeared from mainstream political life.
This article suggests a new conceptual framework for understanding why some types of work are experienced in more satisfying ways than others. The analysis is based on research in an Indian scrap metal yard, where work entails disassembling things that other people no longer want. In spite of the demanding conditions of the labor and the social stigma attached to it, employees express satisfaction with the work process. This observation raises questions about theories of labor, which see satisfaction as arising from work that is creative, skilled, and task-based. The article argues that transformation is a social process that should be used as the primary analytic for explaining work satisfaction. Theories of creativity, skill, and task are secondary analytics that describe subsets of transformative action.
This article explores navigation when knowing is intrinsically difficult. It looks at how irregularized migrants
This article develops an epidemiological approach to the analysis of ritual discourse, comparing three distinct genres of Amazonian ritual chants: Wayana, Sharanahua, and Ingarikó. The aim is not to identify the inherent properties of chants, nor to establish ideal types of ritual context (initiation, shamanism, prophetism), but to analyze the different factors affecting the stabilization of the heterogeneous elements of ritual traditions. First, I identify the different procedures (order transfer, parallelism, intersemioticity, and inscription) that stabilize content. Then, assuming that the spread of ritual chants depends on an institutional apparatus, I explore the chants’ rules of distribution and the types of legitimizing authority involved. Finally, I show how the combined analysis of these different factors offers us a new way of understanding ritual innovation.