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ISSN: 0155-977X (print) • ISSN: 1558-5727 (online) • 4 issues per year
In this introduction, we propose a new approach to anthropological knowledge making that would observe the ‘hyper-reflexive’ quality of ethnographic exchanges. We show that anthropological ideas infiltrate themselves into the discourse of native thinkers, even as native ideas regenerate anthropological theory. Our starting point is ‘animism’, a key concept of anthropological theory. We suggest that anthropologists and their interlocutors jointly reinvent animistic ideas through a process we describe as the ‘reflexive feedback loop’, in which abstract ideas about practice and belief are appropriated and recirculated by research participants. By way of conclusion, we reflect on how anthropologists and their collaborators ‘animate’ soul concepts through diverse forms of agency such as metamorphosis, doubling, autobiographical narrative, hidden jokes, and even technological animism.
In Nusu animism, the number and nature of a person’s ‘soul attributes’ change during his or her lifetime and after death. Drawing on Michael Scott’s study of Arosi poly-ontology, this article situates animistic personhood in a plural socio-cosmic order. Living and dead, human and non-human, Nusu and non-Nusu occupy separate, communicating domains. Meaningful exchanges across boundaries require the metamorphosis of persons and ideas. Nusu animism, continuously engaged in an ‘algebra of souls’, understands the self in terms of its multiplicity, its latent and emerging aspects. Through the ethnography of two death rituals—one ‘real’ and one staged for visiting researchers—this article shows that animism is being hyper-reflexively reinvented by Nusu animists themselves.
In this article, I explore how the cosmologies of two popular spirit possession cults—Espiritismo in Cuba and Umbanda in Brazil—exhibit forms of recursivity and self-reflexivity. Taking my cue from Don Handelman’s notion that the cosmos often contains its own logic of self-becoming, I argue that in these ethnographic cases, recursivity results from the interplay between, on the one hand, the spirits’ expression of their autonomy from living beings and, on the other, the spirits’ contingency for their effectiveness on human belief, representation, perception, and action. In Espiritismo and Umbanda, spirits intervene in human affairs unpredictably, throwing new light on anthropological and native conceptualizations of reflexivity.
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Anthropology has, among its many accomplishments, become a ‘hyper-reflexive’ discipline that is mastered by anthropologists and their fieldwork friends. Today’s China offers an especially revealing lens onto anthropological reflexivity as it reintroduces animism among ethnic minorities and mobilizes a cosmological-cum-ecological ethos, replete with soul-searching and planet-saving behaviors. This article presents ethnography on the Nuosu of Southwest China, who use the ‘art of capture’ to reinvent local animistic ideas and the Chinese ‘ideology of animism’. In dialogue with a Nuosu ethnologist, rural Nuosu villagers, and a Nuosu anthropologist, I propose that ‘hidden’ knowledge and jokes underpin the expositions of native scholars, who interlace their academic work with local rituals. In this way, Nuosu academics, foreign anthropologists, and villagers all partake in the reinvention of Nuosu animism.
Shamanic knowledge is based on an ambiguous commensality with invisible others. As a result, shamans oscillate constantly between spheres of intimacy, both visible and invisible. A place of power and transformation, the spirit world is rarely described by native interlocutors in an objective, detached way; rather, they depict it in terms of events and experiences. Instead of examining the formal qualities of accounts of the spirit world through analyses of ritual performance and shamanic quests, we focus on life histories as autobiographical accounts in order to explore what they reveal about the relationship between personal history (and indigenous historicity) and the spirit world. We introduce the term ‘double reflexivity’ to refer to processes by which narratives about the self are produced through relationships with alterity.
This article analyzes the role of animism in the creation and production of humanoid robots. In Japan and the United States, robotic science has emerged from fictional sources and is enmeshed with fictional models, even when developed in advanced technoscientific facilities. Drawing on the work of Sigmund Freud and Masahiro Mori, I explore the robot as an ‘uncanny’ doppelgänger that is liminally situated between the human and non-human. Cultural depictions of robots, particularly in written and visual fiction, reflect Freudian fears of the ‘double’ as the annihilating other. I propose the concept of ‘technological animism’ to explore how fiction and technoscience co-construct each other, with roboticists drawing inspiration from positive fictional models, as among Japanese scientists, or frequently rejecting such models, as among their North American colleagues.