The Journal for Movies and Mind

Published on behalf of The Forum for Movies and Mind
Projections: The Journal for Movies and Mind is an interdisciplinary, peer-reviewed journal that explores the ways in which recent advancements in fields such as psychoanalysis, cognitive psychology, neuroscience, genetics and evolution help to increase our understanding of film, and how film itself facilitates investigations into the nature and function of the mind. The journal will also incorporate articles on the visual arts and new technologies related to film. The aims of the journal are to explore these subjects, facilitate a dialogue between people in the sciences and the humanities, and bring the study of film to the forefront of contemporary intellectual debate.
Projections: The Journal for Movies and Mind
Volume 1, Issue 2
Articles:
Adrienne Harris, The Camera as a Container: Jonathan Caouette's Tarnation
Jonathan Caouette, Laurence Hegarty, An Interview with Jonathan Caouette
Vicky Lebeau, Strange Contracts: Elfriede Jelinek and Michael Haneke
Steven Shaviro, Emotion Capture: Affect in Digital Film
Greg M. Smith, The Segmenting Spectator: Documentary Structure and The Aristocrats
Reviews
Sophie Fiennes (dir.), Slavoj Zizek (writer and perf.), THE PERVERT'S GUIDE TO CINEMA
By Krin Gabbard
Daniel Frampton, FILMOSOPHY
By Robert Sinnerbrink
Vivian Sobchack, CARNAL THOUGHTS: EMBODIMENT AND MOVING IMAGE CULTURE
By Catherine Zimmer
Forthcoming Articles
Frank P. Tomasulo on "Sick Eros" in Antonioni's Trilogy
Uri Hasson et.al on Neurocinematics: The Neuroscience of Making Movies
Lalita Pandet on Scenes of Transcendence in Indian Cinema
Bruce Sklarew on Ingmar Bergman's Saraband
Lissa Weinstein on the Perverse Cosmos of Being John Malkovich
Projections: The Journal for Movies and Mind
Volume 1, Number 1
Articles:
Ira Konigsberg, "Film Theory and the New Science"
Gilbert J. Rose, "On Affect, Motion and Nonverbal Art: A Case and a Theory"
Patrick Colm Hogan, "Sensorimotor Projection, Violations of Continuity, and Emotion in the Experience of Film"
Norman Holland, "The Neuroscience of Metafilm"
Torben Grodal, "Film Emotions, Valence, and Evolutionary Adaptations"
Silvia Bell, "Separation and Merger in Lovers of the Arctic Circle"
Reviews by:
Bonnie Kaufman, Jeff Zacks , Carl Plantinga and Cynthia Freeland
Subjects: Film Studies

