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By Subject: Performance Studies

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• June 2023

  Performing Memory

  Corporeality, Visuality, and Mobility after 1968

  Passerini, L. & Reinisch, D. (eds)

  Through a post-1968 perspective on the past 50 years, Performing Memory brings together case studies on new developments in the relationship between politics and visual representation—including the histories of dance, theatre, political performance and cinema and investigates how they relate to the interlinked concepts of visuality, corporeality and mobility. Using a collective transdisciplinary attitude from within historical disciplines, and looking across to artistic fields, this volume demonstrates that memory is not merely a recollection of experience but an interactive process, in which the body, mobile and constrained, is both a point of departure and reference.

  Subjects: Performance Studies Mobility Studies

• eBook available September 2022

  Historical Reenactment

  New Ways of Experiencing History

  Carretero, M., Wagoner, B., & Perez-Manjarrez, E. (eds)

  Long dismissed as the domain of hobbyists and obsessives, historical reenactment—the dramatization of past events using costumed actors and historical props—has only in recent years attracted serious attention from scholars. Drawing on examples from around the world, Historical Reenactment offers a fascinating, interdisciplinary exploration of this cultural phenomenon. With particular attention to reenactment’s social and pedagogical dimensions, it develops a robust definition of what the practice constitutes, considers what methodological approaches are most appropriate, and places it alongside museums and memorial sites as an object of analysis.

  Subjects: Memory Studies Performance Studies

• eBook available March 2021

  Perspectives in Motion

  Engaging the Visual in Dance and Music

  Stepputat, K & Diettrich, B. (eds)

  Focusing on visual approaches to performance in global cultural contexts, Perspectives in Motion explores the work of Adrienne L. Kaeppler, a pioneering researcher who has made a number of interdisciplinary contributions over five decades to dance and performance studies. Through a diverse range of case studies from Oceania, Asia, and Europe, and interdisciplinary approaches, this edited collection offers new critical and ethnographic frameworks for understanding and experiencing practices of music and dance across the globe.

  Subjects: Performance Studies Cultural Studies (General)

• eBook available September 2019

  Shakespeare and Creative Criticism

  Conkie, R. & Maisano, S. (eds)

  What kinds of critical insights are made possible only or especially via creative strategies? This volume examines how creative modes of writing might facilitate or inform new ways to critically engage with Shakespeare. Creative writing, demonstrated in a series of essays, reflections, stories and scenes, operates as a vehicle for exploring and articulating critical and theoretical ideas. In doing so, Shakespeare’s enduring creative and critical appeal is newly understood and critiqued.

  Subjects: Literary Studies Performance Studies Cultural Studies (General)

• eBook available July 2019

  Shakespeare and Commemoration

  Calvo, C. & Hoenselaars, T. (eds)

  Memory and commemoration play a vital role not only in the work of Shakespeare, but also in the process that has made him a world author. As the contributors of this collection demonstrate, the phenomenon of commemoration has no single approach, as it occurs on many levels, has a long history, and is highly unpredictable in its manifestations. With an international focus and a comparative scope that explores the afterlives also of other artists, this volume shows the diverse modes of commemorative practices involving Shakespeare. Delving into these “cultures of commemoration,” it presents keen insights into the dynamics of authorship, literary fame, and afterlives in its broader socio-historical contexts.

  Subjects: Cultural Studies (General) Performance Studies Literary Studies Memory Studies

• eBook available June 2019

  24 Bars to Kill

  Hip Hop, Aspiration, and Japan's Social Margins

  Armstrong, A. B.

  The most clearly identifiable and popular form of Japanese hip-hop, “ghetto” or “gangsta” music has much in common with its corresponding American subgenres, including its portrayal of life on the margins, confrontational style, and aspirational “rags-to-riches” narratives. Contrary to depictions of an ethnically and economically homogeneous Japan, gangsta J-hop gives voice to the suffering, deprivation, and social exclusion experienced by many modern Japanese. 24 Bars to Kill offers a fascinating ethnographic account of this music as well as the subculture around it, showing how gangsta hip-hop arises from widespread dissatisfaction and malaise.

  Subjects: Performance Studies Anthropology (General) Cultural Studies (General)

• eBook available May 2019

  One Sound, Two Worlds

  The Blues in a Divided Germany, 1945-1990

  Rauhut, M.

  For all of its apparent simplicity—a few chords, twelve bars, and a supposedly straightforward American character—blues music is a complex phenomenon with cultural significance that has varied greatly across different historical contexts. One Sound, Two Worlds examines the development of the blues in East and West Germany, demonstrating the multiple ways social and political conditions can shape the meaning of music. Based on new archival research and conversations with key figures, this comparative study provides a cultural, historical, and musicological account of the blues and the impact of the genre not only in the two Germanys, but also in debates about the history of globalization.

  Subjects: History: 20th Century to Present Performance Studies Cultural Studies (General)

• eBook available December 2018

  Dreams of Germany

  Musical Imaginaries from the Concert Hall to the Dance Floor

  Gregor, N. & Irvine, T. (eds)

  For many centuries, Germany has enjoyed a reputation as the ‘land of music’. But just how was this reputation established and transformed over time, and to what extent was it produced within or outside of Germany? Through case studies that range from Bruckner to the Beatles and from symphonies to dance-club music, this volume looks at how German musicians and their audiences responded to the most significant developments of the twentieth century, including mass media, technological advances, fascism, and war on an unprecedented scale.

  Subjects: Media Studies History (General) Cultural Studies (General) Performance Studies

• eBook available November 2018

  Curating Live Arts

  Critical Perspectives, Essays, and Conversations on Theory and Practice

  Davida, D., Pronovost, M., Hudom, V., & Gabriels, J. (eds)

  Situated at the crossroads of performance practice, museology, and cultural studies, live arts curation has grown in recent years to become a vibrant interdisciplinary project and a genuine global phenomenon. Curating Live Arts brings together bold and innovative essays from an international group of theorist-practitioners to pose vital questions, propose future visions, and survey the landscape of this rapidly evolving discipline. Reflecting the field’s characteristic eclecticism, the writings assembled here offer practical and insightful investigations into the curation of theatre, dance, sound art, music, and other performance forms—not only in museums, but in community, site-specific, and time-based contexts, placing it at the forefront of contemporary dialogue and discourse.

  Subjects: Performance Studies Museum Studies Cultural Studies (General)

• eBook available August 2018

  Lullabies and Battle Cries

  Music, Identity and Emotion among Republican Parading Bands in Northern Ireland

  Rollins, J.

  Set against a volatile political landscape, Irish republican culture has struggled to maintain continuity with the past, affirm legitimacy in the present, and generate a sense of community for the future. Lullabies and Battle Cries explores the relationship between music, emotion, memory, and identity in republican parading bands, with a focus on how this music continues to be utilized in a post-conflict climate. As author Jaime Rollins shows, rebel parade music provides a foundational idiom of national and republican expression, acting as a critical medium for shaping new political identities within continually shifting dynamics of republican culture.

  Subjects: Performance Studies Anthropology (General)

• eBook available December 2017

  Staging Citizenship

  Roma, Performance and Belonging in EU Romania

  Szeman, I.

  Based on over a decade of fieldwork conducted with urban Roma, Staging Citizenship offers a powerful new perspective on one of the European Union’s most marginal and disenfranchised communities. Focusing on “performance” broadly conceived, it follows members of a squatter’s settlement in Transylvania as they navigate precarious circumstances in a postsocialist state. Through accounts of music and dance performances, media representations, activism, and interactions with both non-governmental organizations and state agencies, author Ioana Szeman grounds broad themes of political economy, citizenship, resistance, and neoliberalism in her subjects’ remarkably varied lives and experiences.

  Subjects: Anthropology (General) Performance Studies

• eBook available December 2017

  Singing Ideas

  Performance, Politics and Oral Poetry

  Ní Shíocháin, T.

  Considered by many to be the greatest Irish song poet of her generation, Máire Bhuí Ní Laeire (Yellow Mary O’Leary; 1774–1848) was an illiterate woman unconnected to elite literary and philosophical circles who powerfully engaged the politics of her own society through song.  As an oral arts practitioner, Máire Bhuí composed songs whose ecstatic, radical vision stirred her community to revolt and helped to shape nineteenth-century Irish anti-colonial thought. This provocative and richly theorized study explores the re-creative, liminal aspect of song, treating it as a performative social process that cuts to the very root of identity and thought formation, thus re-imagining the history of ideas in society.

  Subjects: Performance Studies History: 18th/19th Century Anthropology (General) Literary Studies

• eBook available September 2017

  Power in Practice

  The Pragmatic Anthropology of Afro-Brazilian Capoeira

  González Varela, S.

  Considering the concept of power in capoeira, an Afro-Brazilian ritual art form, Varela describes ethnographically the importance that capoeira leaders (mestres) have in the social configuration of a style called Angola in Bahia, Brazil. He analyzes how individual power is essential for an understanding of the modern history of capoeira, and for the themes of embodiment, play, cosmology, and ritual action. The book also emphasizes the great significance that creativity and aesthetic expression have for capoeira’s practice and performance.

  Subjects: Anthropology (General) Performance Studies

• eBook available April 2017

  Collaborative Intimacies in Music and Dance

  Anthropologies of Sound and Movement

  Chrysagis, E. & Karampampas, P. (eds)

  Across spatial, bodily, and ethical domains, music and dance both emerge from and give rise to intimate collaboration. This theoretically rich collection takes an ethnographic approach to understanding the collective dimension of sound and movement in everyday life, drawing on genres and practices in contexts as diverse as Japanese shakuhachi playing, Peruvian huayno, and the Greek goth scene. Highlighting the sheer physicality of the ethnographic encounter, as well as the forms of sociality that gradually emerge between self and other, each contribution demonstrates how dance and music open up pathways and give shape to life trajectories that are neither predetermined nor teleological, but generative.

  Subjects: Performance Studies Anthropology (General)

• December 2016

  Languid Bodies, Grounded Stances

  The Curving Pathway of Neoclassical Odissi Dance

  Sikand, N.

  Widely believed to be the oldest Indian dance tradition, odissi has transformed over the centuries from a sacred temple ritual to a transnational genre performed—and consumed—throughout the world. Building on ethnographic research in multiple locations, this book charts the evolution of odissi dance and reveals the richness, rigor, and complexity of the form as it is practiced today. As author and dancer-choreographer Nandini Sikand shows, the story of odissi is ultimately a story of postcolonial India, one in which identity, nationalism, tradition, and neoliberal politics dramatically come together.

  Subjects: Performance Studies Anthropology (General)

• eBook available September 2016

  War Magic

  Religion, Sorcery, and Performance

  Farrer, D. S. (ed)

  This compelling volume explores how war magic and warrior religion unleash the power of the gods, demons, ghosts, and the dead. Documenting war magic and warrior religion as they are performed in diverse cultures and across historical time periods, this volume foregrounds embodiment, practice, and performance in anthropological approaches to magic, sorcery, shamanism, and religion. The authors go beyond what magic ‘represents’ to consider what magic does. From Chinese exorcists, Javanese spirit siblings, and black magic in Sumatra to Tamil Tiger suicide bombers, Chamorro spiritual re-enchantment, tantric Buddhist war magic, and Yanomami dark shamans, religion and magic are re-evaluated not just from the practitioner’s perspective but through the victim’s lived experience. These original investigations reveal a nuanced approach to understanding social action, innovation, and the revitalization of tradition in colonial and post-colonial societies undergoing rapid social transformation.

  Subjects: Anthropology (General) Anthropology of Religion Performance Studies

• eBook available July 2016

  The Total Work of Art

  Foundations, Articulations, Inspirations

  Imhoof, D., Menninger, M. E., & Steinhoff, A. J. (eds)

  For two centuries, Gesamtkunstwerk—the ideal of the “total work of art”—has exerted a powerful influence over artistic discourse and practice, spurring new forms of collaboration and provoking debates over the political instrumentalization of art. Despite its popular conflation with the work of Richard Wagner, Gesamtkunstwerk’s lineage and legacies extend well beyond German Romanticism, as this wide-ranging collection demonstrates. In eleven compact chapters, scholars from a variety of disciplines trace the idea’s evolution in German-speaking Europe, from its foundations in the early nineteenth century to its manifold articulations and reimaginings in the twentieth century and beyond, providing an uncommonly broad perspective on a distinctly modern cultural form.

  Subjects: History (General) Cultural Studies (General) Performance Studies

• eBook available March 2016

  Choreographies of Landscape

  Signs of Performance in Yosemite National Park

  Ness, S. A.

  As an international ecotourism destination, Yosemite National Park welcomes millions of climbers, sightseers, and other visitors from around the world annually, all of whom are afforded dramatic experiences of the natural world. This original and cross-disciplinary book offers an ethnographic and performative study of Yosemite visitors in order to understand human connection with and within natural landscapes. By grounding a novel “eco-semiotic” analysis in the lived reality of parkgoers, it forges surprising connections, assembling a collective account that will be of interest to disciplines ranging from performance studies to cultural geography.

  Subjects: Performance Studies Anthropology (General) Environmental Studies (General)

• eBook available January 2016

  In Search of Legitimacy

  How Outsiders Become Part of the Afro-Brazilian Capoeira Tradition

  Griffith, L. M.

  Every year, countless young adults from affluent, Western nations travel to Brazil to train in capoeira, the dance/martial art form that is one of the most visible strands of the Afro-Brazilian cultural tradition. In Search of Legitimacy explores why “first world” men and women leave behind their jobs, families, and friends to pursue a strenuous training regimen in a historically disparaged and marginalized practice. Using the concept of apprenticeship pilgrimage—studying with a local master at a historical point of origin—the author examines how non-Brazilian capoeiristas learn their art and claim legitimacy while navigating the complexities of wealth disparity, racial discrimination, and cultural appropriation.

  Subjects: Performance Studies Anthropology (General)

• eBook available April 2015

  Music and International History in the Twentieth Century

  Gienow-Hecht, J. (ed)

  Bringing together scholars from the fields of musicology and international history, this book investigates the significance of music to foreign relations, and how it affected the interaction of nations since the late 19th century. For more than a century, both state and non-state actors have sought to employ sound and harmony to influence allies and enemies, resolve conflicts, and export their own culture around the world. This book asks how we can understand music as an instrument of power and influence, and how the cultural encounters fostered by music changes our ideas about international history.

  Subjects: History: 20th Century to Present Media Studies Performance Studies

• February 2014

  Learning Senegalese Sabar

  Dancers and Embodiment in New York and Dakar

  Bizas, E.

  Based on extensive ethnographic fieldwork in New York and Dakar, this book explores the Senegalese dance-rhythms Sabar from the research position of a dance student. It features a comparative analysis of the pedagogical techniques used in dance classes in New York and Dakar, which in turn shed light on different aesthetics and understandings of dance, as well as different ways of learning, in each context. Pointing to a loose network of teachers and students who travel between New York and Dakar around the practice of West African dance forms, the author discusses how this movement is maintained, what role the imagination plays in mobilizing participants and how the ‘cultural flow’ of the dances is ‘punctuated’ by national borders and socio-economic relationships. She explores the different meanings articulated around Sabar’s transatlantic movement and examines how the dance floor provides the grounds for contested understandings, socio-economic relationships and broader discourses to be re-choreographed in each setting.

  Subjects: Performance Studies Anthropology (General)

• eBook available December 2013

  Mussolini's Dream Factory

  Film Stardom in Fascist Italy

  Gundle, S.

  The intersection between film stardom and politics is an understudied phenomenon of Fascist Italy, despite the fact that the Mussolini regime deemed stardom important enough to warrant sustained attention and interference. Focused on the period from the start of sound cinema to the final end of Fascism in 1945, this book examines the development of an Italian star system and evaluates its place in film production and distribution. The performances and careers of several major stars, including Isa Miranda, Vittorio De Sica, Amedeo Nazzari, and Alida Valli, are closely analyzed in terms of their relationships to the political sphere and broader commercial culture, with consideration of their fates in the aftermath of Fascism. A final chapter explores the place of the stars in popular memory and representations of the Fascist film world in postwar cinema.

  Subjects: Film and Television Studies Performance Studies

• eBook available November 2013

  Dance Circles

  Movement, Morality and Self-fashioning in Urban Senegal

  Neveu Kringelbach, H.

  Senegal has played a central role in contemporary dance due to its rich performing traditions, as well as strong state patronage of the arts, first under French colonialism and later in the postcolonial era. In the 1980s, when the Senegalese economy was in decline and state fundingwithdrawn, European agencies used the performing arts as a tool in diplomacy. This had a profound impact on choreographic production and arts markets throughout Africa. In Senegal, choreographic performers have taken to contemporary dance, while continuing to engage with neo-traditional performance, regional genres like the sabar, and the popular dances they grew up with. A historically informed ethnography of creativity, agency, and the fashioning of selves through the different life stages in urban Senegal, this book explores the significance of this multiple engagement with dance in a context of economic uncertainty and rising concerns over morality in the public space. 

  Subjects: Performance Studies Anthropology (General)

• eBook available October 2012

  Dancing Cultures

  Globalization, Tourism and Identity in the Anthropology of Dance

  Neveu Kringelbach, H. & Skinner, J. (eds)

  Dance is more than an aesthetic of life – dance embodies life. This is evident from the social history of jive, the marketing of trans-national ballet, ritual healing dances in Italy or folk dances performed for tourists in Mexico, Panama and Canada. Dance often captures those essential dimensions of social life that cannot be easily put into words. What are the flows and movements of dance carried by migrants and tourists? How is dance used to shape nationalist ideology? What are the connections between dance and ethnicity, gender, health, globalization and nationalism, capitalism and post-colonialism? Through innovative and wide-ranging case studies, the contributors explore the central role dance plays in culture as leisure commodity, cultural heritage, cultural aesthetic or cathartic social movement.

  Subjects: Performance Studies Travel and Tourism Anthropology (General)

• eBook available September 2012

  Performing Place, Practising Memories

  Aboriginal Australians, Hippies and the State

  Henry, R.

  During the 1970s a wave of ‘counter-culture’ people moved into rural communities in many parts of Australia. This study focuses in particular on the town of Kuranda in North Queensland and the relationship between the settlers and the local Aboriginal population, concentrating on a number of linked social dramas that portrayed the use of both public and private space. Through their public performances and in their everyday spatial encounters, these people resisted the bureaucratic state but, in the process, they also contributed to the cultivation and propagation of state effects.

  Subjects: Performance Studies Anthropology (General)

• eBook available November 2009

  Turning the Tune

  Traditional Music, Tourism, and Social Change in an Irish Village

  Kaul, A.

  The last century has seen radical social changes in Ireland, which have impacted all aspects of local life but none more so than traditional Irish music, an increasingly important identity marker both in Ireland and abroad. The author focuses on a small village in County Clare, which became a kind of pilgrimage site for those interested in experiencing traditional music. He begins by tracing its historical development from the days prior to the influx of visitors, through a period called "the Revival," in which traditional Irish music was revitalized and transformed, to the modern period, which is dominated by tourism. A large number of incomers, locally known as "blow-ins," have moved to the area, and the traditional Irish music is now largely performed and passed on by them. This fine-grained ethnographic study explores the commercialization of music and culture, the touristic consolidation and consumption of “place,” and offers a critique of the trope of "authenticity," all in a setting of dramatic social change in which the movement of people is constant.

  Subjects: Performance Studies Travel and Tourism Anthropology (General)

• eBook available March 2009

  The Frightful Stage

  Political Censorship of the Theater in Nineteenth-Century Europe

  Goldstein, R. J. (ed)

  In nineteenth-century Europe the ruling elites viewed the theater as a form of communication which had enormous importance. The theater provided the most significant form of mass entertainment and was the only arena aside from the church in which regular mass gatherings were possible. Therefore, drama censorship occupied a great deal of the ruling class’s time and energy, with a particularly focus on proposed scripts that potentially threatened the existing political, legal, and social order. This volume provides the first comprehensive examination of nineteenth-century political theater censorship at a time, in the aftermath of the French Revolution, when the European population was becoming increasingly politically active.

  Subjects: History: 18th/19th Century Performance Studies Cultural Studies (General) Literary Studies

• March 2009

  The Return of Jazz

  Joachim-Ernst Berendt and West German Cultural Change

  Wright Hurley, A.

  Jazz has had a peculiar and fascinating history in Germany. The influential but controversial German writer, broadcaster, and record producer, Joachim-Ernst Berendt (1922–2000), author of the world’s best-selling jazz book, labored to legitimize jazz in West Germany after its ideological renunciation during the Nazi era. German musicians began, in a highly productive way, to question their all-too-eager adoption of American culture and how they sought to make valid artistic statements reflecting their identity as Europeans. This book explores the significance of some of Berendt’s most important writings and record productions. Particular attention is given to the “Jazz Meets the World” encounters that he engineered with musicians from Japan, Tunisia, Brazil, Indonesia, and India. This proto-“world music” demonstrates how some West Germans went about creating a post-nationalist identity after the Third Reich. Berendt’s powerful role as the West German “Jazz Pope” is explored, as is the groundswell of criticism directed at him in the wake of 1968.

  Subjects: Cultural Studies (General) Performance Studies History: 20th Century to Present

• December 2008

  Dances with Spiders

  Crisis, Celebrity and Celebration in Southern Italy

  Lüdtke, K.

  For centuries, the rite of the tarantula was the only cure for those ‘bitten’ or ‘possessed’ by the mythic Apulian spider. Its victims had to dance to the local tarantella or ‘pizzica’ for days on end. Today, the pizzica has returned to the limelight, bringing to the forefront issues of performance, gender, identity and well-being. This book explores how and why the pizzica has boomed in the Salento and elsewhere and asks whether this current popu- larity has anything to do with the historic ritual of tarantism or with the intention of recovering well-being. While personal stories and experiences may confirm the latter, a vital shift has appeared in the Salento: from the confrontation of life crises to the vibrant promotion and celebration of a local sense of identity and celebrity.

  Subjects: Medical Anthropology Performance Studies

• November 2008

  Embodied Communities

  Dance Traditions and Change in Java

  Hughes-Freeland, F.

  Court dance in Java has changed from a colonial ceremonial tradition into a national artistic classicism. Central to this general transformation has been dance’s role in personal transformation, developing appropriate forms of everyday behaviour and strengthening the powers of persuasion that come from the skillful manipulation of both physical and verbal forms of politeness. This account of dance’s significance in performance and in everyday life draws on extensive research, including dance training in Java, and builds on how practitioners interpret and explain the repertoire. The Javanese case is contextualized in relation to social values, religion, philosophy, and commoditization arising from tourism. It also raises fundamental questions about the theorization of culture, society and the body during a period of radical change.

  Subjects: Performance Studies Anthropology (General)

• June 2008

  Where Humans and Spirits Meet

  The Politics of Rituals and Identified Spirits in Zanzibar

  Larsen, K.

  Zanzibar, an island off the East African coast, with its Muslim and Swahili population, offers rich material for this study of identity, religion, and multiculturalism. This book focuses on the phenomenon of spirit possession in Zanzibar Town and the relationships created between humans and spirits; it provides a way to apprehend how society is constituted and conceived and, thus, discusses Zanzibari understandings of what it means to be human.

  Subjects: Anthropology of Religion Anthropology (General) Performance Studies

• April 2008

  Victor Turner and Contemporary Cultural Performance

  St John, G. (ed)

  Upon the 25th anniversary of his passing, this collection addresses the wide application of Victor Turner’s thought to cultural performance in the early 21st century. From anthropology, sociology, and religious studies to performance, cultural, and media studies, Turner’s ideas have had a prodigious interdisciplinary impact. Examining his relevance in studies of performance and popular culture, media, and religion, along with the role of Edith Turner in the Turnerian project, contributors explore how these ideas have been re-engaged, renovated, and repurposed in studies of contemporary cultural performance.

  Subjects: Performance Studies Anthropology (General) Cultural Studies (General)

• eBook available December 2007

  Dancing At the Crossroads

  Memory and Mobility in Ireland

  Wulff, H.

  Dancing at the crossroads used to be young people's opportunity to meet and enjoy themselves on mild summer evenings in the countryside in Ireland until this practice was banned by law, the Public Dance Halls Act in 1935. Now a key metaphor in Irish cultural and political life, "dancing at the crossroads" also crystallizes the argument of this book: Irish dance, from Riverdance (the commercial show) and competitive dancing to dance theatre, conveys that Ireland is to be found in a crossroads situation with a firm base in a distinctly Irish tradition which is also becoming a prominent part of European modernity.

  Subjects: Performance Studies Anthropology (General) Mobility Studies

• December 2006

  Lela in Bali

  History through Ceremony in Cameroon

  Fardon, R.

  Lela in Bali tells the story of an annual festival of eighteenth-century kingdoms in Northern Cameroon that was swept up in the migrations of marauding slave-raiders during the nineteenth century and carried south towards the coast. Lela was transformed first into a mounted durbar, like those of the Muslim states, before evolving in tandem with the German colonial project into a festival of arms. Reinterpreted by missionaries and post-colonial Cameroonians, Lela has become one of the most important of Cameroonian festivals and a crucial marker of identity within the state. Richard Fardon’s recuperation of two hundred years of history is an essential contribution not only to Cameroonian studies but also to the broader understanding of the evolution of African cultures.

  Subjects: Anthropology (General) Performance Studies Colonial History

• June 2005

  Aesthetics in Performance

  Formations of Symbolic Construction and Experience

  Hobart, A. & Kapferer, B. (eds)

  In various ways, the essays presented in this volume explore the structures and aesthetic possibilities of music, dance and dramatic representation in ritual and theatrical situations in a diversity of ethnographic contexts in Europe, the Americas, Africa and Asia. Each essay enters into a discussion of the “logic” of aesthetic processes exploring their social and political and symbolic import. The aim is above all to explore the way artistic and aesthetic practices in performance produce and structure experience.

  Subjects: Performance Studies Anthropology (General) Cultural Studies (General)

• October 2004

  Theater and Political Process

  Staging Identities in Tokelau and New Zealand

  Hoëm, I.

  The Argonauts in the Pacific, famous through Malinowski's work, have not been exempt from general historical developments in the world around them. By focusing on two plays performed by the Tokelau Te Ata, a theater group, the author reveals the self-perceptions of the Tokelau and highlights the dynamic relationship between issues of representation and political processes such as nation building, infrastructural changes and increased regional migration. It is through an analysis of communicative practices, which the author carried out in the home atolls and in the diasporic communities in New Zealand, that we arrive at a proper understanding of how global processes affect local institutions and everyday interaction.

  Subjects: Performance Studies Anthropology (General)

• eBook available October 2003

  The Great Tradition and Its Legacy

  The Evolution of Dramatic and Musical Theater in Austria and Central Europe

  Cherlin, M., Filipowicz, H. & Rudolph, R. L. (eds)

  Both dramatic and musical theater are part of the tradition that has made Austria - especially Vienna - and the old Habsburg lands synonymous with high culture in Central Europe. Many works, often controversial originally but now considered as classics, are still performed regularly in Vienna, Prague, Budapest, or Krakow. This volume not only offers an excellent overview of the theatrical history of the region, it is also an innovative, cross-disciplinary attempt to analyse the inner workings and dynamics of theater through a discussion of the interplay between society, the audience, and performing artists.

  Subjects: History: 18th/19th Century Performance Studies Literary Studies

• June 2003

  Hitler's Dancers

  German Modern Dance and the Third Reich

  Karina, L & Kant, M.

  The Nazis burned books and banned much modern art. However, few people know the fascinating story of German modern dance, which was the great exception. Modern expressive dance found favor with the regime and especially with the infamous Dr. Joseph Goebbels, the Minister of Propaganda. How modern artists collaborated with Nazism reveals an important aspect of modernism, uncovers the bizarre bureaucracy which controlled culture and tells the histories of great figures who became enthusiastic Nazis and lied about it later. The book offers three perspectives: the dancer Lilian Karina writes her very vivid personal story of dancing in interwar Germany; the dance historian Marion Kant gives a systematic account of the interaction of modern dance and the totalitarian state, and a documentary appendix provides a glimpse into the twisted reality created by Nazi racism, pedantic bureaucrats and artistic ambition.

  Subject: Performance Studies Gender Studies and Sexuality

• October 2001

  Theatre and War 1933-1945

  Performance in Extremis

  Balfour, M.

  On an April evening in 1934, on the River Arno in Florence, an air squadron, an infantry, a cavalry brigade, fifty trucks, four field and machine gun batteries, ten field radio stations, and six photoelectric units presented a piece of theatre. The mass spectacle, 18 BL involved over two thousand amateur actors and was performed before an audience of twenty thousand.

  18 BL is one of eleven extraordinary essays collected together for the first time. The essays have been selected and edited from a wide range of publications dating from the 1940s to the 1990s. The authors are academics, cultural historians, and theatre practitioners - some with direct experience of the harsh conditions of Europe during the war. Each author critically assesses the function of theatre in times of world crisis, exploring themes of Fascist aesthetic propaganda in Italy and Germany, of theatre re-education programmes in the Gulags of Russia, of cultural "sustenance" for the troops at the front and interned German refugees in the UK, or cabaret shows as a currency for survival in Jewish concentration camps.

  Subjects: Performance Studies History: World War II Literary Studies

• September 1999

  Olympic Games as Performance and Public Event

  The Case of the XVII Winter Olympic Games in Norway

  Klausen, A. (ed)

  Sports, and in particular the Olympic Games, are enjoying a rapid increase in interest among social scientists worldwide, who see them as important "public events." This volume offers the first analysis of the Winter Olympic Games, primarily based on the Lillehammer Games of 1994. The authors identify "olympism" as a key agent in the modernization process and, more specifically, ask how the winter games, as a mega-event, relate to Norwegian culture and ethos.

  The authors of these specially commissioned papers examine various aspects of this encounter, including problems such as gender as related to nature and culture, masculinity and heroism, national identity and invention of tradition, the impact of venue construction on a traditional cultural landscape, the ideological criticism of the I.O.C. as it emerged, dramatically, before the opening of the Games and the conflict between the Norwegians and the Greeks over the ritual status of the two flames used during the torch relay, one from Olympia and one from Morgedalin Telemark, "the cradle of skiing."

  Subjects: Performance Studies Anthropology (General)

• May 1996

  Fascism and Theatre

  Comparative Studies on the Aesthetics and Politics of Performance in Europe, 1925-1945

  Berghaus, G. (ed)

  Since the 1920s, an endless flow of studies has analyzed the political systems of fascism, theseizure of power, the nature of the regimes, the atrocities committed, and, finally, the wars waged against other countries. However, much less attention has been paid to the strategies of persuasion employed by the regimes to win over the masses for their cause. Among these, fascist propaganda has traditionally been seen as the key means of influencing public opinion. Only recently has the "fascination with Fascism" become a topic of enquiry that has also formed the guiding interest of this volume: it offers, for the first time, a comparative analysis of the forms and functions of theater in countries governed by fascist or para-fascist regimes. By examining a wide spectrum of theatrical manifestations in a number of States with a varying degree of fascistization, these studies establish some of the similarities and differences between the theatrical cultures of several cultures in the interwar period.

  Subjects: Performance Studies History: World War II Literary Studies

• March 1996

  The Politics of Cultural Performance

  Parkin, D., Caplan, L. & Fisher, H. (eds)

  The line between what is regarded by people as "traditional" and "modern" is constantly being altered by new configurations of power. These essays examine the ways in which such changes are both communicated and created through cultural performances in diverse ethnographic settings. Examples are drawn from a wide range of forms and expressions: divinatory sequences, spirit possession rites, state ceremonials, village feasts, pilgrimages, language-use and craft specialisms. It was Abner Cohen, to whom this volume is dedicated, who first suggested that a dialectical relationship existed between power and symbolism. This concept, as developed in his seminal work, has since become a growing area of study as reflected in this important collection. By questioning some of the directions, the authors make a major interdisciplinary contribution to the study of cultural performance as a key factor in power relationships. The principal stage is Africa, but comparative ethnographic data are drawn from Ireland, Italy, South Asia, and the United Kingdom.

  Subjects: Performance Studies Anthropology (General) Anthropology of Religion