{"id":912,"date":"2012-11-26T22:23:25","date_gmt":"2012-11-26T22:23:25","guid":{"rendered":"http:\/\/berghahnbooks.com\/blog\/?p=912"},"modified":"2025-06-10T13:03:34","modified_gmt":"2025-06-10T13:03:34","slug":"comics-and-contradictions-with-laurence-grove-co-editor-of-european-comic-art","status":"publish","type":"post","link":"https:\/\/www.berghahnbooks.com\/blog\/comics-and-contradictions-with-laurence-grove-co-editor-of-european-comic-art","title":{"rendered":"Comics and Contradictions with Laurence Grove, co-editor of European Comic Art"},"content":{"rendered":"<p><em>Note: Berghahn recently released the paperback edition of Laurence Grove&#8217;s <a href=\"http:\/\/www.berghahnbooks.com\/title.php?rowtag=GroveComics\">Comics in French<\/a> and also publishes the journal European Comic Art, which he co-edits. Here he discusses his current work on an exhibit of comics for the Hunterian Art Gallery in Glasgow.<\/em><\/p>\n<p>__________________________________________<\/p>\n<p>One of the inspiring things about co-editing <a href=\"http:\/\/journals.berghahnbooks.com\/eca\/\"><em>European Comic Art<\/em><\/a>, apart from the buzz of working with Ann Miller and Mark McKinney, is the connections it creates.\u00a0 In recent times we have had the pleasure of receiving scholarship on comic art from England, France, Greece, Canada, Italy, Spain, Argentina and Germany, and from the eighteenth century to the twenty-first. It is not long before you are reminded that whatever your speciality, there are unexpected link-ins elsewhere and contradictions to the knowledge we might have taken for granted.<\/p>\n<p>It may seem strange, therefore, that one of my current projects is to prepare an exhibition whose provisional title, <em>Scotland and the Birth of Comics<\/em>, could appear to bask in positivist certainties. The display, which will open in Glasgow\u2019s Hunterian Art Gallery before touring, will bring to light a little-known work of primary importance, <em>The Glasgow Looking Glass<\/em> of 1825. The <em>Looking Glass<\/em> appears to be the world\u2019s oldest comic, predating the earliest published \u2018comics\u2019 by Rodolphe T\u00f6pffer by eight years, <em>Le Charivari<\/em> by seven, and <em>Punch<\/em> by sixteen.\u00a0 Building on the historic angle and taking the notion of graphic narrative in its widest sense, the exhibition will allow us to showcase Hunterian treasures from the Roman period to Hogarth and on to contemporary selections, as well as key manuscripts and printed works from Glasgow University Library\u2019s Special Collections and certain related items from Glasgow\u2019s museums.<\/p>\n<figure id=\"attachment_916\" aria-describedby=\"caption-attachment-916\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/special.lib.gla.ac.uk\/exhibns\/month\/june2005.html\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-916  \" title=\"Consumption of Smoke\" src=\"http:\/\/berghahnbooks.com\/blog\/wp-content\/uploads\/2012\/11\/cartoon-1.jpg\" alt=\"\" width=\"800\" height=\"300\" srcset=\"https:\/\/www.berghahnbooks.com\/blog\/wp-content\/uploads\/2012\/11\/cartoon-1.jpg 800w, https:\/\/www.berghahnbooks.com\/blog\/wp-content\/uploads\/2012\/11\/cartoon-1-300x112.jpg 300w, https:\/\/www.berghahnbooks.com\/blog\/wp-content\/uploads\/2012\/11\/cartoon-1-500x187.jpg 500w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><figcaption id=\"caption-attachment-916\" class=\"wp-caption-text\">&#8220;Consumption of Smoke: Present&#8221; and &#8220;Consumption of Smoke: Future&#8221; From Vol. 1, no. 8: Northern Looking Glass, 17th September 1825<br \/>With the permission of Special Collections, University of Glasgow Library. (Sp Coll Bh14-x.8)<\/figcaption><\/figure>\n<p>At the initial research stage (I have the <em>Glasgow Looking Glass <\/em>in front of me as I write) I have been struck by the intertwining connections. The <em>Looking Glass<\/em> inspired <em>Punch<\/em>, but its characters\u2014the street musicians, the clergymen, the medics, and so on\u2014also offer firm reminders of the styles of T\u00f6pffer, Rowlandson, and Hogarth. It is thus inevitable that the exhibition will lure the visitor in with the promise of newly-found canonical certainties (comics started in a specific time and place, and that is Glasgow in 1825), only then to make it clear that the complexities are so that such certainties must be flawed.<\/p>\n<figure id=\"attachment_918\" aria-describedby=\"caption-attachment-918\" style=\"width: 397px\" class=\"wp-caption alignright\"><a href=\"http:\/\/special.lib.gla.ac.uk\/exhibns\/month\/june2005.html\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-918 \" title=\"Domestic Intelligence: Home, Sweet Home\" src=\"http:\/\/berghahnbooks.com\/blog\/wp-content\/uploads\/2012\/11\/Bh14x8_home.jpg\" alt=\"\" width=\"397\" height=\"285\" srcset=\"https:\/\/www.berghahnbooks.com\/blog\/wp-content\/uploads\/2012\/11\/Bh14x8_home.jpg 500w, https:\/\/www.berghahnbooks.com\/blog\/wp-content\/uploads\/2012\/11\/Bh14x8_home-300x216.jpg 300w, https:\/\/www.berghahnbooks.com\/blog\/wp-content\/uploads\/2012\/11\/Bh14x8_home-416x300.jpg 416w\" sizes=\"(max-width: 397px) 100vw, 397px\" \/><\/a><figcaption id=\"caption-attachment-918\" class=\"wp-caption-text\">&#8220;Domestic Intelligence: Home, Sweet Home&#8221;, From Vol. 1, No. 2: Glasgow Looking Glass, June 25th, 1825<br \/>With the permission of Special Collections, University of Glasgow Library (Sp Coll Bh14-x.8)<\/figcaption><\/figure>\n<p>This week I am going to Geneva to meet with the Director of the Biblioth\u00e8que de Gen\u00e8ve, Alexandre Vanautgaerden, and his team, with a view to a possible loan of a T\u00f6pffer manuscript. Ironically, having made the notion that T\u00f6pffer did not invent the comic strip (nor did anyone else) a central theme of my <a href=\"http:\/\/www.berghahnbooks.com\/title.php?rowtag=GroveComics\"><em>Comics in French<\/em><\/a> (Berghahn Books), I am strangely excited about getting to see the Swiss schoolteacher\u2019s creations in the flesh.<em> <\/em>It is the fact that life is a hybrid art full of contradictions that makes it such fun. A bit like comics.<\/p>\n<p>__________________________________________<\/p>\n<p><span><strong>Laurence Grove<\/strong> is is Reader in French and Director of the Stirling Maxwell Centre for the Study of Text\/Image Cultures at the University of Glasgow.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span>To view more images from the collection, visit the <a href=\"http:\/\/special.lib.gla.ac.uk\/exhibns\/month\/june2005.html\">Glasgow University Library Special Collections Department<\/a>.<\/span><\/p>\n<p><span><br \/>\n<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Note: Berghahn recently released the paperback edition of Laurence Grove&#8217;s Comics in French and also publishes the journal European Comic Art, which he co-edits. Here he discusses his current work on an exhibit of comics for the Hunterian Art Gallery in Glasgow. __________________________________________ One of the inspiring things about co-editing European Comic Art, apart from&hellip; <a class=\"read-more\" href=\"https:\/\/www.berghahnbooks.com\/blog\/comics-and-contradictions-with-laurence-grove-co-editor-of-european-comic-art\">Read More<\/a><\/p>\n","protected":false},"author":19,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,168,222],"tags":[1971,170,550,230],"_links":{"self":[{"href":"https:\/\/www.berghahnbooks.com\/blog\/wp-json\/wp\/v2\/posts\/912"}],"collection":[{"href":"https:\/\/www.berghahnbooks.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.berghahnbooks.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.berghahnbooks.com\/blog\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/www.berghahnbooks.com\/blog\/wp-json\/wp\/v2\/comments?post=912"}],"version-history":[{"count":15,"href":"https:\/\/www.berghahnbooks.com\/blog\/wp-json\/wp\/v2\/posts\/912\/revisions"}],"predecessor-version":[{"id":941,"href":"https:\/\/www.berghahnbooks.com\/blog\/wp-json\/wp\/v2\/posts\/912\/revisions\/941"}],"wp:attachment":[{"href":"https:\/\/www.berghahnbooks.com\/blog\/wp-json\/wp\/v2\/media?parent=912"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.berghahnbooks.com\/blog\/wp-json\/wp\/v2\/categories?post=912"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.berghahnbooks.com\/blog\/wp-json\/wp\/v2\/tags?post=912"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}