{"id":15854,"date":"2021-06-25T19:48:03","date_gmt":"2021-06-25T19:48:03","guid":{"rendered":"http:\/\/berghahnbooks.com\/blog\/?p=15854"},"modified":"2025-04-08T10:17:35","modified_gmt":"2025-04-08T10:17:35","slug":"most-popular-film-articles","status":"publish","type":"post","link":"https:\/\/www.berghahnbooks.com\/blog\/most-popular-film-articles","title":{"rendered":"Most Popular Film Articles"},"content":{"rendered":"\n
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We are excited to have virtual presence at the International Screen Studies Conference 2021 June 25-27. Please stop by our virtual booth<\/a> and explore our offerings.<\/p>\n\n\n\n\n\n\n\n

To celebrate the Screen Studies Conference<\/a>, we are offering a 35% discount on all Film and Television Studies titles<\/strong> through the end of July 2021. Use discount code SCREEN21<\/strong> on print and eBooks ordered through our website. In addition, we are offering FREE ACCESS to our core film journals.<\/p>\n\n\n\n

Although we cannot meet you in person this year, we are offering many ways to connect. If you are interested in learning more about Berghahn’s publishing program or have a project to discuss, please contact our editor Amanda Horn<\/a> to arrange for a virtual meeting.<\/p>\n\n\n\n

Sign up for our email newsletters<\/a> to get the latest on new Berghahn publications and stay up to date on all things Film and Television by following @BerghahnFilm<\/a> on Twitter.<\/p>\n\n\n\n

Read the most popular Film and Media Studies articles from Berghahn Journals below:<\/p>\n\n\n\n

Projections<\/em><\/strong><\/h3>\n\n\n\n

The Feel-Good Film: Genre Features and Emotional Rewards<\/a><\/em>
Keyvan Sarkhoshand Winfried Menninghaus (Vol. 15, Issue 1)<\/a><\/p>\n\n\n\n

Editing and Cognition Beyond Continuity<\/a><\/em>
Karen Pearlman (Vol. 11, Issue 2)<\/a><\/p>\n\n\n\n

Understanding Characters<\/a><\/em>
Jens Eder (Vol. 4, Issue 1)<\/a><\/p>\n\n\n\n

Emotions in Sound: Audiovisual Metaphors in the Sound Design of Narrative Films<\/a><\/em>
Kathrin Fahlenbrach (Vol. 2, Issue 2)<\/a><\/p>\n\n\n\n

Neurocinematics: The Neuroscience of Film<\/a><\/em>
Uri Hasson, Ohad Landesman, Barbara Knappmeyer, Ignacio Vallines, Nava Rubin, and David J. Heeger (Vol. 2, Issue 1)<\/a><\/p>\n\n\n\n

View more articles here.<\/a><\/p>\n\n\n\n

Screen Bodies<\/em><\/strong><\/h3>\n\n\n\n

On Sinofuturism: Resisting Techno-Orientalism in Understanding Kuaishou, Douyin, and Chinese A.I.<\/a><\/em>
Yunying Huang (Vol. 5, Issue 2)<\/a><\/p>\n\n\n\n

Queer Sinofuturism: The Aberrant Movements and Posthumanist Mutations of Body, Identity, and Matter in Lu Yang’s Uterus Man<\/a><\/em>
Gabriel Remy-Handfield (Vol. 5, Issue 2)<\/a><\/p>\n\n\n\n

\u201cThere\u2019s nothing makeup cannot do\u201d: Women Beauty Vloggers\u2019 Self-Representations, Transformations, and #thepowerofmakeup<\/a><\/em>
Michele White (Vol. 2, Issue 1)<\/a><\/p>\n\n\n\n

Whose Club Is It Anyway?: The Problematic of Trans Representation in Mainstream Films\u2014\u2014\u201cRayon\u201d and Dallas Buyers Club<\/a><\/em>
Akkadia Ford (Vol. 1, Issue 2)<\/a><\/p>\n\n\n\n

Redefining Representation: Black Trans and Queer Women\u2019s Digital Media Production<\/a><\/em>
Moya Bailey (Vol. 1, Issue 1)<\/a><\/p>\n\n\n\n

View more articles here.<\/a><\/p>\n\n\n\n\n\n

Stay Connected<\/h1>\n\n\n\n

For updates on our Film<\/a> list as well as all other developments from Berghahn,& sign up for customized e-Newsletters<\/a>, become a Facebook fan<\/a>, follow us on Twitter<\/a> and Instagram<\/a>, and listen to our podcast, Salon B<\/em>, on Spotify<\/a>.<\/p>\n\n\n\n

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