Allan Mitchell takes a look at Ernst Jünger, an under-appreciated twentieth century writer, but an important social figure. The Devil’s Captain: Ernst Jünger in Nazi Paris, 1941-1944 follows the writer at wartime, where he spent his stint in Paris as a military officer whose chief duty was to “mingle with French intellectuals.” Below is an excerpt from the volume, which was originally published in May 2011 and is soon to be released in ebook format.
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Very few, if any, critics of German literature would rank Ernst Jünger among the greatest writers of the twentieth century. He simply does not compare, as a novelist, with giants like Thomas Mann, Franz Kafka, or Robert Musil. His signature work, Auf den Marmorklippen, has been often justly praised for its chiseled language and allegorical imagination. But for later generations raised on soaring flights of science fiction, Jünger’s 1939 work must seem brief, rather stilted, and now somewhat dated. In any event, it pales beside Buddenbrooks and Der Zauberberg, Das Urteil and Das Schloss, or Der Mann ohne Eigenschaften.
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