Creativity in Transition: Politics and Aesthetics of Cultural Production Across the Globe | BERGHAHN BOOKS
Join our Email List Berghahn Books Logo

berghahn New York · Oxford

  • Facebook
  • Twitter
  • Youtube
  • Instagram
Browse
Creativity in Transition: Politics and Aesthetics of Cultural Production Across the Globe

View Table of Contents


Series
Volume 6

Material Mediations: People and Things in a World of Movement



See Related
Anthropology Journals

Email Newsletters

Sign up for our email newsletters to get customized updates on new Berghahn publications.

Click here to select your preferences

Creativity in Transition

Politics and Aesthetics of Cultural Production Across the Globe

Edited by Maruška Svašek and Birgit Meyer

366 pages, 61 figures, blbliog., index

ISBN  978-1-78533-181-7 $145.00/£107.00 / Hb / Published (July 2016)

ISBN  978-1-78533-183-1 $34.95/£27.95 / Pb / Published (July 2016)

eISBN 978-1-78533-182-4 eBook

https://doi.org/10.3167/9781785331817


View CartYour country: - edit Request a Review or Examination Copy (in Digital Format)Recommend to your LibraryAvailable in GOBI®

Reviews

“The editors’ and contributors’ point about the relative and collaborative nature of creativity is well made in the volume, and the ethnographic examples shine interesting light on diverse corners of culture while pinpointing a number of shared issues.” • Anthropology Review Database

“This book is an important contribution to the growing literature on appropriation and the aesthetics of change. Conceiving creativity as process rather than outcome is the key argument of the book whose contributors discuss the argument in numerous ways and case studies.” • Peter Probst, Tufts University

Description

In an era of intensifying globalization and transnational connectivity, the dynamics of cultural production and the very notion of creativity are in transition. Exploring creative practices in various settings, the book does not only call attention to the spread of modernist discourses of creativity, from the colonial era to the current obsession with ‘innovation’ in neo-liberal capitalist cultural politics, but also to the less visible practices of copying, recycling and reproduction that occur as part and parcel of creative improvization.

Maruška Svašek is Professor of Anthropology at the School of History and Anthropology at Queens University, Belfast. Major publications include Mixed Emotions. Anthropology of Feeling (Berg 2005) Anthropology, Art and Cultural Production (Pluto 2007), Emotions and Human Mobility. Ethnographies of Movement (Routledge 2012), Moving Subjects, Moving Objects: Transnationalism, Cultural Production and Emotions (Berghahn 2012). She is co-editor of the Berghahn series Material Mediations: People and Things in a World of Movement.

Birgit Meyer (PhD cultural anthropology, 1995) is Professor of Religious Studies at Utrecht University. She is co-editor of Material Religion and the Berghahn series Material Mediations: People and Things in a World of Movement. Recent publications include Aesthetic Formations. Religion, Media and the Senses (ed, Palgrave 2009), Things. Religion and the Question of Materiality (ed with Dick Houtman, Fordham 2012) and Sensational Movies. Video Vision and Christianity in Ghana (University of California Press, 2015).

Subject: Anthropology (General)Cultural Studies (General)


Contents

Back to Top



Library Recommendation Form

Dear Librarian,

I would like to recommend Creativity in Transition Politics and Aesthetics of Cultural Production Across the Globe for the library. Please include it in your next purchasing review with my strong recommendation. The RRP is: $145.00

I recommend this title for the following reasons:

BENEFIT FOR THE LIBRARY: This book will be a valuable addition to the library's collection.

REFERENCE: I will refer to this book for my research/teaching work.

STUDENT REFERRAL: I will regularly refer my students to the book to assist their studies.

OWN AFFILIATION: I am an editor/contributor to this book or another book in the Series (where applicable) and/or on the Editorial Board of the Series, of which this volume is part.