The “Trophies Room,” Ikunde, Barcelona, Colonial Metropolis (courtesy of Andrea Manenti).
“Day of Solidarity with the People of Guinea-Bissau and Cape Verde,” 1968, by Berta Abelénda Fernández (courtesy of the Lincoln Cushing/Docs Populi Archive).
Still from the music video for “Labau hte nga ai amyu,” showing rap artist Hpaujang Brang San (courtesy of Bawmwang Jaraw/Noah Productions).
Deer transformation mask from the Jacobsen collection at the Ethnologisches Museum Berlin (IV A 891). Mask as it appears today (courtesy of the Ethnologisches Museum Berlin and U’mista Cultural Centre).
Ye’kwana student and elder (Kuyujani López and Arturo Asiza) working in the collection, Berlin, August 2014 (photograph by Natalia Pavía Camargo, courtesy of Staatliche Museen zu Berlin – Stiftung Preussischer Kulturbesitz).
Detail of installation view of Object Biographies (Humboldt Lab Dahlem) (photograph by Marion Benoit).
The procession through the smoke formed a significant sequence (photograph by Tony Sandin, National Museums of World Culture).
Phillippe Rahm and Sebastian Rivas, “Sublimated Music,” 2014-2017, multichannel sound piece (courtesy of the Isabella Stewart Gardner Museum).
Inverso mundus by AES+F, at the Kochi-Muziris Biennale (photograph by Sarita Sundar, 2017).
John Steuart Curry, Parade to War, Allegory, 1938, oil on canvas, 47 13/16 in x 63 13/16 in (courtesy of the Cummer Museum of Art, Jacksonville, Florida).